Discuss how the City of God engages with the cinematic tropes of the political filmmaking in 1960s-1970.
This will come up later in our lectures, but please discuss the following: In what ways does City of God reappropriate Glauber Rocha’s “the aesthetics of hunger”? Or, does the City of God assimilate Cinema Novo?
In addition, give another example of how a contemporary film is in conversation with Cinema Novo aesthetic. Please include a video clip to exemplify your thoughts.
When responding to your classmates, consider the following:
Find a classmate with a post that you disagree with regarding their position on the City of God. Respond respectfully as to why you think otherwise.(100words)
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